Hortus Conclusus—A Mariological Metaphor in Some Renaissance Paintings of the Annunciation in the Light of Medieval Liturgical Hymns

This article seeks to shed light on the doctrinal meanings of closed garden included in some Renaissance paintings Annunciation. To justify iconographic interpretations that we will give these paintings, base them analysis many medieval liturgical hymns poetically designate Virgin Mary through metaphorical expression hortus conclusus (closed garden) with which Husband or Bridegroom requisites Wife Bride Song Songs. We divide our into two parts as a strategy for analysis. First, analyze an extensive series fragments repeatedly praise this biblical metaphor. In second part, examine artistic representations Annunciation that, Italian Renaissance, depict scene. From double comparative analysis, textual and iconic, conclude direct essential correlation, those hymnic texts clearly illustrate is eloquent symbol virginal divine motherhood her perpetual virginity, well excellence fullness supernatural virtues privileges.